CANDY GEOMETRY

Diagonal and Intersecting Lines

I came across this while cleaning the studio. I made it by printing process colors on clear cast laminate. There are three layers applied on top of each other. This creates the secondary and tertiary colors, and in the areas where the same color is over layered, creates a very luminous final original color (cyan, magenta, and yellow). The base is made from 2 white acrylic pieces cut to trapezoidal shapes and fitted together. This photo can’t capture the real candy like luminescence of the colors in this piece!

Nice Surprise

7 HEXAGONS

When I work on paintings I often have some color left that I don’t want to waste, so I have some paper, sihl, pvc and canvas that I will apply the leftover paint to. It frees me up to be very experimental cos these bits of material were destined for the dumpster anyway. I usually will end up using parts of these in collages, but sometimes I get a complete statement that stands alone. The last swipe of the reddish/orange paint kicked the above into a whole different world of unexpected beauty. I like how the geometric shapes become organic, even floral while the different uneven textures imply some kind of cosmic light. The bonus is that none of it was planned, and now I have stumbled upon a basis for a new series.

Starting some new paintings

Geometric painting in progress. Colors are reds, oranges, salmon, pale yellow and white
New Work in Progress

OK, OK so I didn’t finish all the paintings that have been lingering, but I am really close, so I gave myself the go-ahead to start the new ones!

The “lingering” paintings have been experiments in spontaneous decisions about colors, shapes, textures, relationships, etc.  I treat them like a game where I impose a problem that I have to solve. The decisions create other challenges and eventually I resolve them in a finished piece. They tend to mutate, and take some time to come to completion, which is part of the process.  But I am antsy to get my new ideas on canvas. These are compositions that I have worked out on the computer and now need to take tangible form.  So, I am taking the insights I have gained from those experiments and applying them to the new paintings.  Basically areas of random process in contained, deliberate space.  It adds some organic mystery to the hard edge shapes and creates a secondary motion to the composition.

Table clutterd with tubes of paint, squeegees and paint brushes
Painting Time!